Recent research output

Publications

 2013

 

Blassnigg, Martha and Punt, Michael. (2013). “Transdisciplinarnost: izzivi, pristopi in priložnosti na pragu zgodovine” / “Transdisciplinarnost: Izazovi, pristupi i mogucnosti na povijesnom vrhuncu” / “Transdisciplinarity: challenges, approaches and opportunities at the cusp of history”, trans. Ana Flac, Helena Fošnjar, Snežana Štabi. In: (NE)ODVISNI (NE)ZAVISNI INDEPENDENT. (eds.) Snežana Štabi, Žiga Dobnikar, Dejan Pestotnik. Slovenia: KID / ACE KIBLA, pp.14-25 / 84-95 / 151-163.

Blassnigg, Martha. (2013). ‘Free Play’ between Science, Art and Conjuring: Advertising and the Knowing Prosumer. In: Jahrmann, M., Felderer, B. (eds). Play & Prosume. Nuernberg: Verlag fuer Moderne Kunst, pp. 49-57.

Punt, Michael. (2013). Start Playing, In: Jahrmann, M., Felderer, B. (eds). Play & Prosume. Nuernberg: Verlag fuer Moderne Kunst, pp. 43-48.

Punt, Michael. (2013). Image, Light and the Passage to the Semi-Material Object. IN: Blassnigg, M. et al. (eds) Light Image Imagination. Amsterdam: Amsterdam University Press.

Blassnigg, M., Punt., M. (2013). Transdisciplinarity: Challenges, Approaches and Opportunities on the Cusp of History. SEAD: http://seadnetwork.wordpress.com/seed-questions-for-sead-report/

Blassnigg, M. et al. (eds.) (2013) Light Image Imagination. Amsterdam: Amsterdam University Press.

Blassnigg, M. (2013) ‘The Delightful(l) Mind: A Case for Aesthetic Intuition”. In: Blassnigg, M. et al. (eds.) Light Image Imagination. Amsterdam: Amsterdam University Press.

Woodward, M. (2013). ‘A Staging and Choreography of Theatrical Play: A Brechtian Aesthetic for Popular Culture’, In: Jahrmann, M., Felderer, B. (eds). Play & Prosume. Nuernberg: Verlag fuer Moderne Kunst, pp. 63-65.

Woodward, M. (2013) ‘A Monstrous Rhinoceros (As From Life): The Epistemological Role of the Enacted Pictorial Image’. in: Yung, S.T, and Peibalga, A. Designing the Relationship between Humans and Technology. Cambridge Scholars Publishing [Forthcoming]

2012

Woodward, M. (2012) ‘Artifacts, Entanglements & Deep History: A Reflection on the Sublime in Art andScience’, L|R|Q 2.01, pp. xi-xii.

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2011

Blassnigg, M. (2011) ‘Intuition and Imagination at the Convergence of Arts, Science, Popular Culture and Commercial Application: Clues from the Past’, in Kluszczynski, R. (ed.) W strone trzeciej kultury. Koegzystencja sztuki, nauki i technologii. Towards the Third Culture. The Co-existence of Art, Science and Technology. Gdansk: Laznia CCA, pp. 66-77.

Blassnigg, M. (2011) ‘A convergência da Arte e Ciência: Pistas do Passado’ (transl. by Cleomar Rocha and Júlio César dos Santos), Z Cultural, Revista Virtual do Programa Avançado de Cultural Contemporânea, Ano VII(02), ISSN 1980-9921. [Online]. Available at: http://revistazcultural.pacc.ufrj.br/a-convergencia-da-arte-e-ciencia-pistas-do-passado-de-martha-blassnigg/ (Accessed: 9 January 2012).

Doove, E. (2011) ‘Inside Jokes – Using Humor to Reverse-Engineer the Mind’ [review; book by Hurley, M., Dennett, D. and Adams, R.], Leonardo Reviews. [Online]. Available at: http://www.leonardo.info/reviews/aug2011/doove_hurley.php (Accessed: 16 December 2011).

Doove, E. (2011) ‘Koen Vanmechelen – The chicken and its audience’, Plastik, Art & Science, #02. [Online]. Available at: http://art-science.univ-paris1.fr/document.php?id=475 (Accessed: 16 December 2011).

Doove, E. (2011) ‘We Can Change the Weather – 100 Cases of Changeability’ [review; book edited by Wynants, M.], Leonardo Reviews. [Online]. Available at: http://www.leonardo.info/reviews/jan2011/wynants_doove.php. (Accessed: 16 December 2011).

Griffin, J. (2012) ‘Moon Vehicle: Reflections From an Artist-Led Children’s Workshop on the Chandrayaan-1 Spacecraft’s Mission to the Moon’, in Leonardo, 45(4). [in press]

Currò, D., Op den Kamp, C. and Ruedel, U. (2012) ‘Towards a More Accurate Preservation of Color: Heritage, Research and the Film Restoration Laboratory’, in Brown, S. (ed.) Color and the Moving Image, AFI Film Reader on Color, New York: Routledge. [in press]

Op den Kamp, C. (2012) ‘Reimagining the Archive’ [conference review], The Moving Image, 11(2). [in press]

Op den Kamp, C. (2011) ‘Abandoned Images. Film and Film’s End’ [book review], Historical Journal of Film, Radio and Television, 31(2), pp. 297-299.

Punt, M. (2012) ‘Image, Light and the Passage to the Semi-Material Object’, in Blassnigg, M. (ed.) Light, Image, Imagination: The Spectrum Beyond Reality and Illusion. Amsterdam: Amsterdam University Press. [in press]

Punt, M. (2011) ‘Grinding A Ridge’, in Kluszczynski, R. (ed.) W strone trzeciej kultury. Koegzystencja sztuki, nauki i technologii. Towards the Third Culture. The Co-existence of Art, Science and Technology. Gdansk: Laznia CCA, pp. 110-123.

Punt, M. (2011) ‘Combinando Tecnologias: primeiro cinema, cultura popular e o imaginário tecnológico’ (transl. by Cleomar Rocha and Júlio César dos Santos), Z Cultural, Revista Virtual do Programa Avançado de Cultural Contemporânea, Ano VII(02), ISSN 1980-9921. [Online]. Available at: http://revistazcultural.pacc.ufrj.br/combinando-tecnologias-primeiro-cinema-cultura-popular-e-o-imaginario-tecnologico-michel-punt/ (Accessed: 16 December 2011).

Rocha, M. (2011) ‘Cognitive Embodied e Enaction são reais perspectivas para o Design de Interação?’ Revista Z Cultural. Revista Virtual do Programa Avançado de Cultura Contemporânea da UFRJ, Vol. 7(2) [Online]. Available at: http://revistazcultural.pacc.ufrj.br/cognitive-embodied-e-enaction-sao-reais-perspectivas-para-o-design-de-interacao-de-marcio-rocha/ (Accessed: 12 December 2011).

Vines, J., Blythe, M., Dunphy, P. and Monk, A. (2011) ‘Eighty Something: Banking for the Older Old’, in Proceedings of the 25th BCS Conference on Human-Computer Interaction, Newcastle upon Tyne, UK.

Monk, A., Dunphy, P., Olivier, P., Vines, J. and Blythe, M. (2011) ‘New Approaches to Banking for the Older Old’, in Proceedings of Digital Engagement 2011, Newcastle upon Tyne, UK.

Zics, B. (2011) ‘Toward an Affective Aesthetics: Cognitive-Driven Interaction in the Affective Environment of the Mind Cupola’, Leonardo: Art, Science and Technology, 44(1), pp. 30-37.

Zics, B. (2011) ‘Engineering Experiences in Biofeedback Interfaces: Interaction as a Cognitive Feedback Loop’, Journal of Visual Art Practice, 10(1). DOI: 10.1386/jvap.10.1.71_1.

Other Research Output

Amadeu, F. (2011) ‘Field Research’, Rubber Community, Assis Brasil, Acre, Brazil, 11-18 December.

Blassnigg, M. (2011) Plenary presentation [HERA/TEF expert seminar ‘Play and Prosume’, Kunsthalle Vienna, Austria]. 13 July.

Blassnigg, M. (2011) Invited Participation at the HERA Joint Research Programme Workshop Humanities with Impact, Zagreb, Croatia, 30 June-1 July.

Blassnigg, M. (2011) ‘Light and Imagination at the Convergence of Art, Science, Popular Culture and Commercial Application: Clues from the Past’ [presentation]. Toward a Third Culture. The Coexistence of Art, Science and Technology conference. Laznia Centre for Contemporary Art, in collaboration with Gdansk History Museum / Art Line Project. Gdansk, Poland, 23-25 May.

Blassnigg, M. (2010/2011) ‘Time, Memory in Action and Shared Consciousness: The Participatory Experience of Audio-Visual Mediation’ [workshop]. Institute for European Ethnology, Humboldt University, Berlin, Jan/Nov.

Cachão, R. (2011) ‘Day-Night Cosmologies’. Heavenly Discourses: Myth, Astronomy and Culture Conference, University of Bristol, UK, 15 October.

Doove, E. (2011) Platform P at the Duke [exhibition curation]. Duke of Cornwall Hotel, Plymouth, UK, 4-6 November.

Doove, E. (2011) Thomas Nollet & Hilde Huyghe – Designing the Terraced House [exhibition curation]. Roland Levinsky Building, Plymouth University, UK, 24 February-11 March.

Drayson, H. and Hudson, B. (2011) [Shokku A/V] ‘Live improvised performance using processing’, Open Socket at Extended Play Conference. Plymouth, UK, 5 November.

Egbe, A. (2011) ‘National Review of Live Art Archive’ [workshop and presentation]. CAiRO (Curating Artistic Research Output) Summer School, University of Bristol, UK, 29-30 June.

Egbe, A. (2011) ‘National Review of Live Art Archive’. Re-make/Re-model: Performing Documents, Spike Island Bristol, UK, 27 September.

Egbe, A. (2011) Deptford|Tributes [exhibition]. Foconorte Festival, Santander, Spain, July.

Egbe, A. (2011) Deptford|Tributes [exhibition]. Deptford X Festival, London, UK, September/October.

Griffin, J. (2011) ‘Satellite Stories workshop’ for exhibition Camps Invisible: Geografies de les ones radio [workshop leader], Arts Santa Monica, Barcelona, Spain, 6 November.

Griffin, J. (2011) Orbitando Satélites [exhibition]. Laboral Centro de Arte y Creación Industrial, Gijon, Spain, 15 July-30 October.

Griffin, J. (2011) Visiting Researcher presentation. Manipal Centre for Philosophy and Humanities, Manipal University, Karnataka, India, 14 September.

Griffin, J. (2011) ‘Orbitando Satélites’ [workshop leader] Laboral Centro de Arte y Creación Industrial, Gijon, Spain, 10-14 May.

Griffin, J. (2011) Secret Satellites [exhibition]. Belfast: Belfast Exposed Gallery, Northern Ireland, 18 March-30 April.

Massey, L. (2011 [2007]) Cabaret of Complexity: Blind [performance]. Maus Hábitos, Porto, Portugal, October.

Massey, L. (2011) Luke Daniels, The Mighty Box [CD]. Reading: Gael Music [cover design].

Massey, L. (2011) John Norris Wood NATURAL FORMS Drawing Prize and public exhibition [exhibition management and curation]. RCA Courtyard Galleries, UK, 16-20 May.

Massey, L. (2011) Man Group plc Charitable Trust Drawing Prize and public exhibition [exhibition management and curation]. RCA Courtyard Galleries, UK, 4-8 May.

Op den Kamp, C. (2011) ‘Taking Stock’ [panel presentation ‘The Current and Future State of Moving Image Archival Education’]. Association of Moving Image Archivists (AMIA) Annual Conference, Austin, TX, USA, November 18.

Op den Kamp, C. (2011) ‘Copyright Law and the Re-Distribution of Archival Film’ [PhD research project work-in-progress presentation]. IX MAGIS – Gorizia International Film Studies Spring School, Italy, April 11.

Punt, M. (2011) ‘Between Worlds: Beyond Asimo: Transdisciplinarity and Technology’ [presentation], Transdisciplinary Workshop, Automoni Cenatar –ACT. Cakovec, Croatia, 23 September.

Thompson, S. (2011) ‘Design is Dead Get Over It!’ [public lecture]. Cardiff PechaKucha, UK, 7 October.

Transtechnology Research (2011) ‘Art & Science – Synergy of Technology and Art in the City Spaces’ [workshop]. Erasmus IP, Gdansk, Poland, 9-22 October. For more information, see page 21.

Woodward, M. (2011) ‘Selling the Immaterial: Avant-garde Practices and Commercial Advertising Forms’. TEF Expert Seminar: Play and Prosume, Kunsthalle Project Space Karlsplatz, Vienna, Austria, 13 July.

Zics, B. (2011) ‘Eye Gaze as a Vehicle for Aesthetic Interaction: Affective Visualisation for Immersive User Experience’ [presentation]. 17th International Symposium on Electronic Arts (ISEA). Sabanci University, Istanbul, Turkey, 15 September.

Zics, B. (2011) ‘The Concept of Cognitive Feedback Loop: Applying Eye Tracking and Affective Visualisation for New States of Consciousness’ [presentation]. Toward a Science of Consciousness: Brain, Mind, Reality, Stockholm University, Stockholm, Sweden, 4 May.

Zics, B. (2011) ‘The Mind Cupola V2: Interactive Installation’ [presentation]. HCI 2011: The 25th BCS Conference on Human-Computer Interaction, Culture Lab, Newcastle: BSC and Newcastle University, UK, 7 July.

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2010

Blassnigg, M. (2010) ‘Revisiting Marey’s Applications of Scientific Moving Image Technologies in the Context of Bergson’s Philosophy: Audio-Visual Mediation and the Experience of Time’, Medicine Studies, 2(3), 175-184. DOI: 10.1007/s12376-010-0049-x.

Blassnigg, M. (2010) ‘Delightful(l) Mind: Toward an Anthropology of Light’ [plenary lecture], The Pleasure of Light: Gyorgy Kepes and Frank J. Malina Exhibit and Symposium, Budapest, Hungary. Collaboration between the Hungarian Academy of Sciences, Collegium Budapest, Institute for Advanced Study, The French Institute Budapest, Ludwig Museum of Contemporary Art, Budapest, 3 September.

Cachão, R. (2010) ‘Metaphysics of non-capitalised Space’ [presentation]. Lost-in-Space Workshop, UCL, London, UK, 2 December.

Cachão, R. (2010) ‘Disclosing Space: Order and Mediation from Hand-Drawn Scientific Illustration to Geometry’ [presentation]. Space: The Real and the Abstract. The Centre for Art, Design, Research and Experimentation (CADRE) School of Art and Design, University of Wolverhampton, UK, 6 July.

Drayson, H. and Hudson, B. (2010) [Shokku A/V] ‘Live improvised performance using processing’, BFI Southbank AV Club, Dark Fibre / Movie-Con Special, London, UK, 13 August.

Drayson, H. and Hudson, B. (2010) [Shokku A/V] ‘Live improvised performance using processing’, BFI Stage at Big Chill Festival, Herefordshire, UK, 6 August.

Egbe, A. (2010) ‘Approaches to Representing the Unrepresentable in Moving Image Archives’. British Comparative Literature Association XII International ‘Archive’ Conference, University of Kent, UK, 6 July.

Griffin, J. and Shastri, P. (2010) ‘Children’s Festivals’ [presentation]. 13th All India People’s Science Network Conference, Thrissur, Kerela, India, 28 December.

Griffin, J. (2010) ‘Moon Vehicle Café’ [presentation]. Astronomy and Society: Public Ownership of Science Symposium, Kalpaneya Yatre: Journey of Imaginations Festival, Bangalore, India, 5 December.

Griffin, J. (2010) Kalpaneya Yatre: Journey of Imaginations [exhibition]. Bangalore: Jawaharlal Nehru Planetarium, India, 26 November-5 December.

Griffin, J. (2010) ‘Finding Meaning’ [presentation]. 2010 Global Lunar Conference, Beijing, China, 2 June.

Massey, L. (2010) FEAR [performance]. RCA Drawing Studio, UK, November–December.

Op den Kamp, C. (2010) ‘Is Audiovisual Archival Public Domain Material Really Freely Available?’ [presentation]. Besides the Screen Symposium, Goldsmiths College, London, UK, 21 November.

Op den Kamp, C. (2010) ‘De overval, the Film and its Dissemination: a Resistance Against a Dominant System.’ British Comparative Literature Association, XII International ‘Archive’ Conference, University of Kent, Canterbury, UK, 6 July.

Punt, M. (2010) ‘Grinding A Ridge: The Subversive Pleasure of Artificial Light’, The Pleasure of Light: Gyorgy Kepes and Frank J. Malina Exhibit and Symposium, Budapest, Hungary. Collaboration between the Hungarian Academy of Sciences, Collegium Budapest, Institute for Advanced Study, The French Institute Budapest, Ludwig Museum of Contemporary Art, Budapest, 3 September.

Punt, M. (2010) ‘Opening Address’ [Ludwig Museum of Contemporary Art, Budapest, Hungary], The Pleasure of Light: Gyorgy Kepes and Frank J. Malina Exhibit and Symposium. Collaboration between the Hungarian Academy of Sciences, Collegium Budapest, Institute for Advanced Study, The French Institute Budapest, Ludwig Museum of Contemporary Art, Budapest, 2 September.

Punt, M. (2010) ‘Accidental Machines: The impact of Popular Participation on Computer Technology’, in Buchanan, R., Doordan, D. and Margolin, V. (eds.) The Designed World: Images, Objects, Environments. Oxford: Berg, pp. 167-188.

Rocha, M. and Rocha. C. (2010) ‘Realidades, Imagens e Virtualidade – Teminologia taxonômica baseada na Experiência do Usuário’. 9# International Meeting of Art and Technology, Brasília, Brazil, 8 November. Available at: http://www.fav.ufg.br/9art/nono_art.pdf. (Accessed: 22 December 2011).

Eardley, R., Dinka, D. and Thompson, S. (2010) ‘Designing VoIP Video-communication for the home’ [Group 2010 - Workshop on Connecting Families: New Technologies, Family Communication, and the Impact on Domestic Space]. ACM Conference, Sanibel Island, FL, USA, 7-10 November.

Thompson, S. (2010) ‘Enchantment, the Designer and the Technology of Fantastic Reality’. Shadow Play: Alchemy, Redolence & Enchantment Conference, Cardiff, UK, 3 November.

Thompson, S. (2010) ‘Engineering the Soma: A Posthuman Design Perspective’. Zoontotechnics Conference. Centre for Critical and Cultural Theory, Cardiff University, UK, 14 May.

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2009

Blassnigg, M. (2009) Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. Amsterdam: Rodopi Press.

Blassnigg, M. (2009) ‘Time, Memory and the Philosophical Dispositif of Cinema: The Mirrored Metaphor of Culture and Technology’, in Grabes, H., Nünning, A. and Baumbach, S. (eds.) REAL Yearbook of Research in English and American Literature, Tübingen: Gunter Narr Verlag, pp. 299-314.

Op den Kamp, C. (2009) ‘Towards a More Accurate Preservation of Colour’ [panel presentation]. Colour and the Moving Image Conference, University of Bristol, UK, 11 July 2009.

Punt, M. (2009) ‘Swing Time as/&/as Metaphor’, in Grabes, H., Nünning, A. and Baumbach, S. (eds.) REAL Yearbook of Research in English and American Literature, Tübingen: Gunter Narr Verlag, pp. 315-328.

Thomspon, S. and Vines, J. (2009) ‘Enacted Experience and Interaction Design: New Perspectives’, in Ramduny-Ellis, D., Dix, A., Hare., J. and Gill, S. (eds.) Proceedings of the Third International Workshop on Physicality. Lancaster: Lancaster University Press, pp. 49-54.

Vines, J. (2009) ‘The Ageing Present: Neurophysiological Change and the Relational Affordances of Technological Objects’ [presentation]. Doctoral Colloquium of the International Association of Societies of Design Research 2009: Rigour and Relevance in Design, COEX, Seoul, South Korea, 19 October.

Vines, J. (2009) ‘Embodied and Ecological Cognition and the Design of Engaging Technological Artefacts for Older Individuals’. Nordes 2009: Engaging Artifacts, The Oslo School of Architecture and Design, Oslo, Norway, 31 August.

Vines, J. (2009) ‘The Failure of Designers Thinking About How We Think: The problem of Human-Computer Interaction’ [presentation]. Failed Design: What were they thinking, Bard Graduate Centre, New York, USA, 24 April.

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2008

Op den Kamp, C. 2008. ‘Digital Post-Production Tools as a Means of Restoration: the Restoration of Pandora’s Box (1929)’. Panel presentation, Le Giornate del Cinema Muto Collegium, Pordenone, Italy, October 10.

Punt, M. 2008. Synchrony and the Semi-Material Object. In Ascot, R., et al New Realities: Being Syncretic. Springer: New York. pp.224-228.

Punt, M. 2008. Play Orbit: jungando con la historia del juego, and: Play Orbit a Play on the History of Play. In: Dragona, D., et.al. (eds). Homo Ludens Ludens. Gijon: Laboral. pp. 134-149 and pp. 254-260.

Punt, M. 2008. Reflections in a Laser Disc. In: Kooijmn, J., Pisters, P., Strauven, W., (eds.) Mind the Screen: Media Concepts according to Thomas Elsaesser. Amsterdam: Amsterdam University Press. pp. 267-276.

Punt, M. 2008. Love, Synchrony, and the Semi-Material Object. Technology, Imagination, Future: The Journal of Transdisciplinary Knowledge Design. Yonsei University Press. pp.12-21.